stoletja, delo Testamenti pa bo morda postalo literarni manifest novega (četrtega) vala kot del nevihtnega pojava feminizma. Slogan feministov drugega vala, »osebno je politično«, je zdaj ravno tako aktualen kot v 60. Medtem ko navdih za roman Deklina zgodba izhaja iz krščanskega fundamentalizma, je iz dandanašnjih izjav Margaret Atwood jasno, da Trumpovo obdobje po njenem mnenju predstavlja »zmanjševanje pravic žensk« (2018). Fantazijska proza prinaša tudi fantazijsko kritiko v luči tega v prispevku analiziramo delo Testamenti (2019), ki sledi preoblikovanju politike, vpete v pripoved. nastajajoč četrti val feminizma v delu Testamenti avtorice Margaret Atwood POVZETEK Roman Deklina zgodba (1985) avtorice Margaret Atwood se je zaradi uspeha televizijske priredbe in obljube po nadaljevanju romana pred kratkim znova znašel v središču pozornosti. This is followed by an examination of the three main characters and representatives of ideas. Therefore, before turning to Atwood, an outline of the chronological clashes of feminism(s) and a discussion on women and language is presented.

The slogan of second-wave feminists, 'the personal is political,' is now as topical as it was in the 1960s, and The Testaments may well become a literary manifesto of a new (fourth) wave as part of the storm surge of feminism.

Whilst the inspiration for The Handmaid's Tale came from the rise of Christian fundamentalism, it is obvious from Atwood's more recent statements that she considers the Trump era 'a rollback of women's rights' (2018). Speculative fiction invites speculative criticism in this spirit, this paper investigates The Testaments (2019), tracing the rewriting of politics embedded in the narrative. Margaret Atwood's The Handmaid's Tale (1985) has recently returned to the spotlight with the success of its TV adaptation and with her decision to deliver a sequel.

The testament handmaid's tale